![]() Brenda & The Rattlesnake has the group changing their lineup slightly, and their sound a bit more – really tightening things up on both the guitars and the vocals – which have this really wonderful focus that's produced strongly with a nice current of fuzz at the edges. Titles include "Turning Wheel", "I Want To Be Beside You", "Standing Alone Feel So Bad", "Pony Ride", "Keep On Trying", and "What Makes A Man A Man". The full United Artists recordings of this enigmatic group – two full albums, and a bonus single too! First up is the self-titled Gypsy – work by a group who shouldn't be confused with the American act of the same name, even though their sound definitely has some influence from the rootsier sound of our scene at the same time! Acoustic and electric guitar lines mix up nicely, and the group often harmonize the lyrics between the singers – with a sinister edge at times that's a nice surprise, and an unusual approach that's nicely hard to peg – almost as if these guys took a jar full of familiar influences, shook it up, and poured out a special brew of their own. Titles include "Godchild", "Jeru", "Move", "Venus De Milo", "Budo", and "Deception". Mulligan contributed plenty, too – his ideas on an overall sound definitely helped shape these sides – and the record's go on to legendary status – even though it's very different than most other Miles Davis from the time. Here, the tracks are shorter, but beautifully blend bop ideas with fuller arrangements – and Davis blows alongside other key young modernists in a variety of larger groups – with work from Lee Konitz on alto, Gerry Mulligan on baritone sax, JJ Johnson and Kai Winding on trombones, Al Haig and John Lewis on piano, and Kenny Clarke and Max Roach on drums. Legendary early work from trumpeter Miles Davis – late 40s sessions for Capitol Records that are completely different than the bop material he was cutting with Charlie Parker and on his own! Instead, these sides have Miles working with a complex, more arranged style – built up with a young Gil Evans, in a mode that prefaces the later famous recordings the pair would make in the late 50s for Columbia. CD also features the bonus track "It's Not Really Christmas". ![]() ![]() Titles include "Losing My Mind", "Why Do I Feel So Sad", "All I Need Is You", "All Night Long", "Not Around", "Remember Me", "Sailing", "Say You Really Love", and "Inside My Love". Broussard's got a wonderfully classy approach to her music – one that's been appreciated in subsequent releases, but which comes through even more clearly here – a great sense of poise that's almost classic in a Phyllis Hyman sort of way. Thankfully, Expansion have helped fix a decade-old mistake – and they're letting Trina's warmly soulful sound sparkle beautifully with this well-done reissue. The long-overdue release of Inside My Love – a sublime little set recorded by Trina Broussard in the late 90s – originally planned for the So- So Def label, but never properly issued at the time! The album's years ahead of most soul of the time – a great precursor to the Neo Soul explosion that major labels would finally get behind in the 21st Century, but which still left them scratching their heads back in the 90s – and failing to get music this great out to the market.
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